10 Things You Need For A Kickass Home Studio

It possesses a very easy interface which ensures the ease of utilizing the specific tool in an appropriate manner. Most of the music experts use this tool as compared to any other electronic audio workstation to help the users produce and record with editing, sequencing even as combining music recording. This Application allows the user to qualify the format or in the method of accessing a vast amount of options while making or even creating new music.
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Home studios can be built and configured in many different ways. A hip hop producer would have his home recording studio built differently compared to a film composer. The hip hop producer would probably only need a two monitor speaker setup in his music studio while the film composer would probably look to have a surround system setup. If you are new to home recording studios, then read on.

The rise of computers being able to multitrack record and edit has changed the music industry for the better. Today with just a click of the mouse, you can begin to record music. No patchbay set-up, setting up the mixers, getting a clean tape or turning on effect boxes. Gone were the analog recording days. They also tell you to buy an Apple Mac if possible. In fact its claims of being more stable is true.

Windows have come a pretty long way and Windows 8. The only thing I can complain about Windows computers is the lack of a reliable sound driver with low latency. Mac has Core Audio, which is amazing for music production. Now you need a software to start making music. Question is which to buy? There are really many DAW in the market. Before I go into explaining which DAW you should choose, there is this common misconception I like to clear.

All DAW sounds the same. There have been claims where music exported out of Pro Tools sounds better compared to Logic and vice versa. Those are misconceptions. What is going to make your music sound better are your skills and ears. Many software developers have actually made their software available for both the platforms.

DAW softwares are indeed slightly different in features from one another but the major DAWs today have all the tools you need to create great music.

I find myself having a separate dedicated audio editor like Adobe Audition to do extra audio work that most DAW are not really good at. You can get Adobe Audition for a low monthly subscription. There are tons of loops, samplers, instruments and basically it sports everything you need to go from scratching up ideas for a song to finishing the master mix.

Only downside? It works exclusively only on the Mac. Cubase has a steeper learning curve with its sophisticated interface that takes some time getting used to. The samplers included like Halion SE and synthesizer like PadShop does not give you the best sounding instruments in the market, but they are usable. The thing I really like about Cubase was its stability. Had close to no unexpected crashes when producing on Cubase. The workflow on Ableton is different from the other DAWs.

You can work really fast, creating lots of tweaks on your audio and tracks. If you are into electronic music, Ableton Live is a software you need to at least try. Ableton Live lacks a score editor though.

Everything from instruments, audio tracks and effects and be drag and dropped into the arranger window. Studio One was made to be the least technical among the major DAWs so you only focus on the music and no the technical parts of using a DAW. I somehow find Studio One limited in terms of effects, functionality and features. For example, it lacks surround mixing and score editors. There are few more DAWs which I missed out here in this post. If you like a review about the rest, let me know by commenting below.

There are plenty types of audio interface in the market, from models which connects to your computer with USB, Firewire or even Thunderbolt. Some audio interface offers lots of inputs and outputs and some are audio interfaces with only a single input channel, great for use with an iPad. That is a question I get almost everyday, so below are two reasons why you need an audio interface. Well, keep your options open. In essence, most inbuilt PC soundcards have high latencies and is horrible at music production.

In a production scenario this means when you press a key on your keyboard, you hear the sound being triggered a few milliseconds later. With some cards the latency gets even higher and you probably hear your note half a second later or more. Try using your DAW without a dedicated audio interface. Which audio interface should you choose? While it seems like every audio hardware company say that their interfaces are the best, there are few things you should consider before buying an audio interface.

Click to see: The top 10 audio interface to buy in Here are the few factors to think about 1. Imagine recording a band. Three microphones for guitarists, one for the bassist, one more for vocals and another line for the keyboard. A drum recording setup can go up to more than 10 microphones! Investing in an audio interface with more inputs have gave me the ability to take on more music projects. Outputs also offers more possibilities as well.

Most music producers monitor their music with only a stereo speaker setup. You only need two outputs to achieve a stereo speaker monitoring setup.

However with the extra setup, you could hookup a 5. With a surround system you can take on film composing projects and even mix for TV! All the reason to buy an audio interface with more outputs. This is so you can plug a microphone to the audio interface and start recording on your computer right away. However, not all pre-amps are made the same.

I advise taking a test listen to pre-amp before buying. Does the pre-amps make lots of noise? Does the pre-amp adds color to your microphone recordings? How much gain can you crank on the pre-amp? These are factors you should consider before buying an audio interface. Company Reliability — Before buying an audio interface, check the company that makes them.

See if they offer frequent driver updates for the audio interfaces they sell. As you the industry progresses, more and more producers would be recording at higher sample rates in search for a better sounding recording. Your audio interface should be able to do that when the time comes.

I advise buying an audio interface with that records up to 96kHz at minimum and make sure to buy an audio interface with connectivity like USB3. We know USB is here to stay , so it might just offer better future proofing. This opinion is subject to many tech futurists though, some futurist claiming thunderbolt will still strive its way through 4.

A studio monitor is that important. The experience listening to music on a pair of studio monitors is also more rewarding than compared to listening to music on a pair of headphone cans. This is because when you listen to a set of speakers, you actually hear the reverberation of the room as well. With headphones, you simply cup away all the room sound and with the cans on both side of your ears, stereo imaging can be misleading.

That is why producers never recommend you to finish your mix on headphones. You gotta at least listen and tweak your mix on a pair of trusty studio monitor speakers. Some guidelines to buying the correct studio monitor speakers: I find most of my students and myself tend to mix more bass when mixing on a pair of 5-inch speakers. Speakers with 8-inch woofers would be ideal for good mixing but if budget is a constrain, go for a 6-inch. Speakers with 5-inch woofers are good for referencing your mixes but in my opinion, not recommended to be used as your main monitors.

Get the sales person to play your CD, so you can hear the difference in the many studio monitor speakers. The speakers you choose should be able to play your CD album in detail. Every speaker has its own characteristics and sound. This is due to the build of the speaker itself, from the cones to the drivers and the cabinet. So my advice here is not to buy speakers based on its brand and what people seem to say about it.

After doing some sound tests, buy a speaker which you find offers the best listening, then train your ears to get use to your speakers. What setup do you currently have in your studio? Show them off! The comment section is just down below. They are:

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Home studios can be built and configured in many different ways. A hip hop producer would have his home recording studio built differently compared to a film composer. The hip hop producer would probably only need a two monitor speaker setup in his music studio while the film composer would probably look to have a surround system setup. If you are new to home recording studios, then read on. The rise of computers being able to multitrack record and edit has changed the music industry for the better.

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